The LASSI

“Lassi is a Lassi is a Lassi is a Lassi”

When Gertrude Stein in 1913 wrote, “Rose is a rose is a rose is a rose”.. she might not have thought that people across the globe would use it for any article that could suite them..

Sweet white LassiWell not every Indian would add and agree to that statement with Rose and the “Quintessential Lassi”… When the world talks about the white sweet lassi, one place in Bhubaneswar, says Nah!! we do not like it white, let’s make it brown. Why should every thing from curd be white.

Well, welcome to “Lingaraj Lassi centre” . A bustling city space right in the heart of the city at Shahid Nagar (Near Durga Mandapa). Bhubaneswar being a foodies delight, this place adds to the flavour and it is very difficult to resist not going there and gulping down a glass of chill Lingaraj Lassi.

Having heard about this lassi, we happened to head out to have this beautiful sweetened

34493708331_9668a6c207_olassi. At first, the place being crowded makes you think about the popularity and fan following. There was ample space to park our car though slightly away, but the pull was strong for a nice walk. I struggled to first understand what to be done because of the crowd. Then we slowly made our way to see the whole jamboree of activities that happen right in front of you.

On the left as one enters, there was one who was scraping heaps of coconut, while right in front was a small cemented space to hold big blocks of ice which was being broken and taken for mixing it up with the lassi. As this was happening, what caught my fascination was the four huge furnaces on which there were huge pots of Khoa (Milk Product) was being made. The lassi here is made different with loads and loads of Khoa (Another milk product), which is basically what gives it the brown colour and the sweetness that it brings.  It is fascinating to see that there was this one man who kept staring the pots to get the right thickness and flavour to Khoa. Once this was done, curd along with sugar and Khoa was put in a mixer and served. There were close to fifteen mixers kept just for this purpose,

There are close to three people manning the serving area but one held the money and was mouthing the instructions while he himself went on serving. The coordination was so smooth that, only when the money was paid the glasses were held out to the customer.   This gentleman held a thick wad of money in his hand, explicitly saying he is the cashier without even having a board.

The prices were economical, a large glass (Approx 500 Ml) is priced at Rs50/- while the small glass (Approx 300 ml) was priced Rs 40/-. Now one can have a sugar free lassi too, but then when you have so much sweetness in Khoa, what is sugar free?? 2ecff44b86293d926068010b3c6f176d

 

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What ever said and done, once the liquid flows down the throat, there is a sense of peace 34624310715_a28409af3d_oand pure bliss. Well the only caution that it is really a sweet concoction and could hit you really heard, so choose your glass accordingly.

And.. if you are in Bhubaneswar, you could place an online order too..

Having said so, will always say.. “If in Bhubaneswar during summers (Available only in summers), never ever miss this heady Lassi”

Oh!! you can check their humble space on facebook too but not that active, it just says that the focus of these guys on the product and not on publicity. It is truly for its loyal customers like me to do.. ūüôā

 

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My first book.. Maya. Do pick up a copy at Amazon or Notionpress.com

 

 

 

Chausathi Jogini – Mahamaya

‚ÄúSixty and four are the instruments of enjoyments that tempt the individual soul (jiva). Sixty and four are the divisions (kalas) within¬†jiva;¬†Sixty and four are the chambers of¬†jiva‚Äôs¬†chakras; Sixty and four; where Shiva-Shakti reside.”

–¬†Thirumandiram¬†V. 1418

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India has been and am sure will continue to be a land of radical thoughts and beliefs. It is a country that has been a confluence of beliefs and existence of them in different places and almost at similar times. Many had emerged, caught onto the believes of peoples and with the advent of a newer system, many of ancient traditions went away into oblivion until they were researched and practiced in pockets.

Odisha, the eastern state of India has not only been an historical place but also a place where the cultural and religious beliefs have come into existence. Buddism, Saivaism, Jainism, Shaktaism and later Vaishnavism have been prevalent for many years here. It is well known that the worshiping of Mother Goddess is an integral part of the Hinduism, but  it also branched off into Shaktaism for its uniqueness and Tantric practices. The cult was prevalent from the 9th century AD to 12 century AD and flourished well as people started to look out for different ways to connect with the all mighty. To me, it does symbolise the diversity and the openness to not only believe but also practices of different cultures was open and accepted.

Bhubaneswar or Ekamra Khetra (as it was known earlier) has been a seat for Devi (Goddess mother) and Tantric Pujas. The evidences can well be seen in some of the temples that were created and the idols prayed.

One such symbol of Devi puja is the “Chausathi Jogini” (64 Jogini) temple on the outskirts of Bhubaneswar at Hirapur. A temple dedicated to the “Women who possess magical ¬†Powers”. It is well said that, a true Jogini is one who is an enlightened woman possessing¬†exuberant passion, spiritual powers and deep insight.

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In India there are close to 12 such temples that have been discovered and ASI has taken over to protect it. The one at Hirapur is the smallest of all. All the Jogini temples are circular in nature and do not have a roof (hypaethral). They are open in nature.

I had spent my childhood at Bhubaneswar but never knew about this place, it was only while researching about¬†some other locations, I accidentally stumbled upon this beautiful open temple. They say, “when the lord calls, you visit”. It was exactly that, after close to 2 years of planning to visit this place, I visited “Chausathi Jogini” temple. It had poured the previous night and as we started for the place. The place turned out to have had a good wash¬†and ready to receive us. We crossed the small bridge over the Kuakhai river and entered the¬†paddy fields.

The directions are very clearly laid out and the roads are very good though narrow. The temple is surrounded by some lush green paddy fields. It was as though guarding the temple from outsiders. The smallness of the temple took us by surprise but once you enter the temple you would largely be struck by the beautiful sandstone sculptures.

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Betal

The entrance would be 5 feet in height and has a small vestibule guarded by two Betals on either side. On the inner sides as you enter the place you will find 64 Yogini sculptures. The temple would be around 30 feet or so in diameter with a square mandap (Platform) in the centre.

 

Each sculpture is so so different from one other. They not only seem to represent the various avatars but are so feministic in their nature. Some have beautiful faces while some have taken up animal faces. The hairdos and the ornaments are also unique to each one, wether it is the armlet, anklet, bangles necklace or even the earrings. All the avatars are standing on top of either an animal or a musical instrument. Each symbolising a significant nature of the avatar. Some of the avatars are Rudra (Ferocious) while some are calm. Some faces are human whiles some have animal heads.

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The 31st idol is “Mahamaya”¬†which is the main idol and is prayed daily. She is the only one who is ten armed goddess among the 64 idols. During the Dusshera Puja there are special rituals that are done here. On the Dusshera day, even today there is a sacrifice in this temple but that is of a Fish. A symbolic of appeasing the goddess.¬†Interestingly at Yogini 61, there is no idol. It seems to be the same one at some of the other yogini temples too. I felt it depicting that “No Form” is also a “Form”… I have seen such earlier at Belur and some other temples in southern India too.

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Puja performed for Mahamaya

At the centre of the temple is the mandap is also called the Chandi mandap or yogini mandap. It is said that there was a lord Shiva idol as Nataraja which was worshiped in the centre. This image of Lord Shiva is also called Moha Bhairav. There are four Bhairavs at the four pillars of the mandap. This is also considered as the seat for Tantric puja & rituals.

 

The outside of the temple is guarded by two dwarapals and on the outer wall are the nine Katyayanis. The Katyayani are standing on a smiling severed human head. Some have swords while most of them have an umbrella cover held by one of their helps.

One could feel the goosebumps with the energy that this place could generate. The power of women in its urga or ferocious form is a testimony of the times when women power and its importance was way significant that what it is now.

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Once you step out of the temple area, you are welcome back to the peaceful quite village banyan tree and the pond. As if all the energy source is stabilised by it. We tried to leave the place twice but every time there was something there that held us back and we returned into the temple. What could have been a fifteen minute exploration and prayers, turned out to be more than an hour.odisha-412

I am a novice into spirituality but I am really mesmerised by the bold acceptance of that era to depict and present a different aspect of life. An era where equality might not have just been stated but would also been practiced and respected.

We left the place with lots of peace and bliss. It also taught me what acceptance of different beliefs could do to human beings. It would help in exploring the non existent me within me for sure.

Odisha offers one so much to explore that, the more I discover.. I realise how less I know about this beautiful eastern state of India… Really Incredible Odisha and certainly Incredible India!!!

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